{"id":66023,"date":"2022-05-17T17:20:23","date_gmt":"2022-05-17T21:20:23","guid":{"rendered":"https:\/\/rdvcanada.ca\/?p=66023"},"modified":"2022-05-23T22:05:04","modified_gmt":"2022-05-24T02:05:04","slug":"la-boucle-est-bouclee-la-theorie-lauzon-a-cannes-2022","status":"publish","type":"post","link":"https:\/\/rdvcanada.ca\/fr\/pleins-feux\/la-boucle-est-bouclee-la-theorie-lauzon-a-cannes-2022\/","title":{"rendered":"La boucle est boucl\u00e9e : La th\u00e9orie Lauzon \u00e0 Cannes 2022"},"content":{"rendered":"\t\t
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La th\u00e9orie Lauzon<\/span><\/i><\/a> de Marie-Jos\u00e9e Saint-Pierre est un court m\u00e9trage documentaire intrigant\u202f: c\u2019est \u00e0 la fois une \u00e9tude sur Jean-Claude Lauzon \u2014 le mythique \u00ab\u202fmouton noir\u202f\u00bb du cin\u00e9ma qu\u00e9b\u00e9cois\u00a0<\/span> \u2014 <\/span><\/i>et sa trop br\u00e8ve carri\u00e8re et, comme son titre l\u2019indique, une profonde exploration hypoth\u00e9tique de la relation du cin\u00e9aste avec son p\u00e8re.\u00a0<\/span>\u00a0<\/span><\/p>

Ou, peut-\u00eatre, de celui qu\u2019il n\u2019a pas eu.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00ab\u202fIl [Jean-Claude Lauzon] avait honte de son p\u00e8re\u202f\u00bb, dit Saint-Pierre, pr\u00e9cisant que l\u2019inspiration pour son essai sur Lauzon lui est venue apr\u00e8s avoir discut\u00e9 avec Claude Fournier, un autre g\u00e9ant du cin\u00e9ma qu\u00e9b\u00e9cois, lors d\u2019une r\u00e9ception \u00e0 un festival de films en 2014. \u00ab\u202fSon p\u00e8re se comportait mal. Il ne voulait pas travailler. Il se tenait dans des bars et se bagarrait souvent. Il a fait de fr\u00e9quents s\u00e9jours dans des h\u00f4pitaux psychiatriques, et Jean-Claude lui-m\u00eame \u00e9tait terrifi\u00e9 \u00e0 l\u2019id\u00e9e de souffrir d\u2019une maladie mentale\u2026 disant m\u00eame ne pas vouloir d\u2019enfant pour cette raison.\u202f\u00bb<\/span>\u00a0<\/span><\/p>

Lauzon est un sujet parfait pour Saint-Pierre, professeure en animation \u00e0 l\u2019Universit\u00e9 Laval, car elle est pass\u00e9e ma\u00eetre dans le r\u00e9alisme anim\u00e9 et la r\u00e9alisation de films sur des cin\u00e9astes (son film sur Norman McLaren, <\/span>Les n\u00e9gatifs de McLaren, <\/span><\/i>a remport\u00e9 l\u2019Iris du meilleur film d\u2019animation en 2007). \u00ab\u202fJ\u2019enseigne, ce qui occupe une grande partie de mon temps\u202f\u00bb, dit-elle<\/span>. \u00ab\u202f\u00c7a me pla\u00eet \u00e9norm\u00e9ment, car \u00e7a me donne le sentiment de transmettre quelque chose \u00e0 la prochaine g\u00e9n\u00e9ration d\u2019animateurs et d\u2019animatrices.\u202f\u00bb <\/span>Dans <\/span>La th\u00e9orie Lauzon, <\/span><\/i>elle fusionne deux acteurs de la filmographie de Lauzon \u2014 Roger Lebel qui joue le p\u00e8re dans <\/span>Un zoo la nuit (<\/span><\/i>1987), et Gilbert Sicotte qui a fait la narration du film ainsi que de <\/span>L\u00e9olo <\/span><\/i>(1992) \u2014 pour raconter l\u2019histoire, en fin de compte, d\u2019un p\u00e8re songeur \u00e0 la recherche du fils qu\u2019il a perdu.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Marie-Jos\u00e9e Saint-Pierre<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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C\u2019est vraiment un m\u00e9lange de diff\u00e9rents \u00e9l\u00e9ments, et r\u00e9ussir \u00e0 \u00e9quilibrer <\/span>le tout<\/span> peut s\u2019av\u00e9rer un <\/span>r\u00e9el <\/span>d\u00e9fi<\/span>.<\/span><\/strong><\/p><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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C\u2019est un gros d\u00e9fi \u2014 et beaucoup de rotoscopie \u2014 que Saint-Pierre rel\u00e8ve avec une impressionnante cr\u00e9ativit\u00e9 et, surtout, une imagination sensible. \u00ab\u202fMa fa\u00e7on de faire des portraits n\u2019est plus la m\u00eame<\/span>\u202f\u00bb, dit Saint-Pierre, qui d\u00e9plore le fait qu\u2019il y a peu de s\u00e9quences film\u00e9es sur Lauzon. \u00ab\u202fJe r\u00e9alise maintenant qu\u2019on ne peut pas vraiment conna\u00eetre quelqu\u2019un [juste] \u00e0 travers les archives. C\u2019est une approche plus exp\u00e9rimentale du documentaire, mais il reste que je suis heureuse de pouvoir prendre le p\u00e8re d\u2019un <\/span>Zoo la nuit<\/span><\/i> et de le faire interagir avec les archives de Lauzon.\u202f\u00bb<\/span>\u00a0<\/span><\/p>

De ce qu\u2019elle a r\u00e9ussi \u00e0 compiler, les archives sont effectivement fascinantes. Outre des sc\u00e8nes tir\u00e9es de l\u2019\u0153uvre de Lauzon, Saint-Pierre a d\u00e9couvert des clips HD du cin\u00e9aste o\u00f9 il s\u2019exprime avec franchise au sujet de l\u2019industrie, et ses opinions sur le financement des films canadiens demeurent pertinentes (\u00ab\u202fJean-Claude Lauzon gagnait sa vie gr\u00e2ce \u00e0 la publicit\u00e9, et non au cin\u00e9ma\u202f\u00bb, indique Saint-Pierre). Ces s\u00e9quences sont captivantes en elles-m\u00eames, mais superpos\u00e9es aux animations originales dessin\u00e9es \u00e0 la main par Saint-Pierre, elles prennent vie et ont quelque chose de mythique. \u00ab\u202fMettre toutes les techniques ensemble et faire en sorte qu\u2019elles s\u2019harmonisent est un long processus, parce que \u00e7a pourrait ressembler \u00e0 une grosse poutine\u202f\u00bb, dit Saint-Pierre \u00e0 la blague. \u00ab\u202fC\u2019est vraiment un m\u00e9lange de diff\u00e9rents \u00e9l\u00e9ments, et r\u00e9ussir \u00e0 \u00e9quilibrer le tout peut s\u2019av\u00e9rer un r\u00e9el d\u00e9fi.\u202f\u00bb<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Le court m\u00e9trage de <\/span>Saint-Pierre<\/span> est pr\u00e9sent\u00e9 ce mois-ci dans le cadre du<\/span> volet Cannes Court M\u00e9trage du Festival de <\/span>Cannes<\/span>, un \u00e9v\u00e9nement qui a catapult\u00e9 la carri\u00e8re de Lauzon sur la sc\u00e8ne internationale apr\u00e8s avoir lanc\u00e9 l<\/span>a Quinzaine des R<\/span>\u00e9alisateurs en<\/span> 1987 (<\/span><\/span>Un <\/span>z<\/span>oo la nuit<\/span><\/span>)<\/span><\/span> et conc<\/span>o<\/span>u<\/span>r<\/span>u pour la <\/span>Palme d\u2019<\/span>o<\/span>r <\/span>en<\/span> 1992 (<\/span><\/span>L\u00e9olo<\/span><\/span>).<\/span><\/span> Nous voyons des sc\u00e8nes o\u00f9 <\/span>Lauzon <\/span>foule le tapis rouge, donnant <\/span>d\u2019autant plus un <\/span>caract\u00e8re <\/span>\u00ab\u202f<\/span>m\u00e9ta<\/span>\u202f\u00bb<\/span> \u00e0<\/span> <\/span>La <\/span>t<\/span>h\u00e9orie Lauzon <\/span><\/span>et l\u2019impression que le film \u00ab\u202fboucle la boucle\u202f\u00bb, <\/span>comme <\/span>dit<\/span> Saint-Pierre<\/span>. <\/span>\u00ab\u202fJ\u2019ai fait ce <\/span>film <\/span>30 <\/span>ans<\/span> apr\u00e8s <\/span>[<\/span>la premi\u00e8re de<\/span> <\/span>L<\/span>\u00e9<\/span>olo<\/span><\/span>]<\/span>\u202f\u00bb, d\u2019ajouter la cin\u00e9aste. <\/span>\u00ab\u202fLe but, c\u2019est que les gens sortent et qu\u2019ils aillent revoir ses films.\u202f\u00bb<\/span><\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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La t<\/span>h\u00e9orie Lauzon<\/span><\/span><\/a> est<\/span> l\u2019un des sept courts m\u00e9trages s\u00e9lectionn\u00e9s pour <\/span><\/span>\u00ab\u202f<\/span>G<\/span>\u00e9n\u00e9rati<\/span>ons<\/span>\u202f\u00bb, derni\u00e8re it\u00e9ration du programme Talent<\/span> to<\/span>u<\/span>t court de T\u00e9l\u00e9<\/span>film Canada<\/span>.<\/span><\/span><\/a> En plus d\u2019enseigner, S<\/span>aint-Pierre <\/span>est en train de d\u00e9velopp<\/span>er un long m\u00e9trage qui retrace l\u2019histoire des cr\u00e9atrices f\u00e9ministes au Qu\u00e9bec<\/span>.<\/span><\/span>\u00a0<\/span><\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JAKE HOWELL<\/strong>
<\/em><\/p>

Jake<\/span> Howell<\/span> est un auteur de Toronto et un programmateur <\/span>de f<\/span>ilms<\/span> \u00e0 la pige<\/span>.<\/span><\/span>\u00a0<\/span><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

La th\u00e9orie Lauzon de Marie-Jos\u00e9e Saint-Pierre est un court m\u00e9trage…<\/p>\n","protected":false},"author":1203,"featured_media":65905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","footnotes":""},"categories":[335,333],"tags":[],"class_list":["post-66023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-incontournables","category-pleins-feux","posts_festivals-cannes-2022-2"],"acf":[],"yoast_head":"\nLa boucle est boucl\u00e9e : La th\u00e9orie Lauzon \u00e0 Cannes 2022 - Industrie Audiovisuelle Canadienne<\/title>\n<meta name=\"description\" content=\"La th\u00e9orie Lauzon de Marie-Jos\u00e9e Saint-Pierre est un court m\u00e9trage documentaire intrigant\u202f: c\u2019est \u00e0 la fois une \u00e9tude sur Jean-Claude Lauzon \u2014 le mythique\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rdvcanada.ca\/fr\/pleins-feux\/la-boucle-est-bouclee-la-theorie-lauzon-a-cannes-2022\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La boucle est boucl\u00e9e : La th\u00e9orie Lauzon \u00e0 Cannes 2022 - 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