{"id":13107,"date":"2018-08-21T14:31:39","date_gmt":"2018-08-21T18:31:39","guid":{"rendered":"https:\/\/rdvcanada.ca\/?post_type=festivals&p=13107"},"modified":"2018-08-28T16:04:56","modified_gmt":"2018-08-28T20:04:56","slug":"projections","status":"publish","type":"festivals","link":"https:\/\/rdvcanada.ca\/fr\/festivals\/tiff-2018\/projections\/","title":{"rendered":"Projections"},"content":{"rendered":"\t\t
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D\u00e9couvrez les films canadiens en s\u00e9lection et leurs \u00e9quipes de production qui seront pr\u00e9sentes au festival.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cliquez sur le titre du film pour acc\u00e9der \u00e0 l\u2019horaire de projection ou rendez-vous sur tiff.net<\/a>.<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ouverture<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilm canadien<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisatrice<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProductrice<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tMouthpiece<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tPatricia Rozema<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tChristina Piovesan<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tFirst Generation Films<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Section Contemporary World Cinema<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilms canadiens<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tFalls Around Her<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tDarlene Naponse<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tDarlene Naponse, Simone Urdl, Jennifer Weiss, Jamie Manning<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tThe Film Farm<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tKingsway<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tBruce Sweeney<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tBruce Sweeney<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tCarkner Films<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
\n\t\t\tLa Disparition des lucioles<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tS\u00e9bastien Pilote<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tMarc Daigle, Bernadette Payeur\u200b<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tCorporation de d\u00e9veloppement et de production ACPAV\u200b<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tLa Grande Noirceur<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tMaxime Giroux<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSylvain Corbeil, Nancy Grant\u200b<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tmetafilms<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tLes Salopes ou le sucre naturel de la peau<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tRen\u00e9e Beaulieu<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tRen\u00e9e Beaulieu<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tLes productions du moment<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tSplinters<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tThom Fitzgerald\u200b<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tDoug Pettigrew<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tEmotion Pictures<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Section Discovery<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilms canadiens<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tClara<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tAkash Sherman<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tRobert Lantos<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSerendipity Point Film<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tEdge of the Knife<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tGwaai Edenshaw, Helen Haig-Brown<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\t\t Jonathan Frantz<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\t\t Niijang Xyaalas Productions<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tFirecrackers<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\t\t Jasmin Mozaffari<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tCaitlin Grabham, Kristy Neville<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\t\t Prowler Film<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tFreaks<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tAdam Stein, Zach Lipovsky<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tZach Lipovsky, Adam Stein, Jordan Barber, Mitchell Waxman<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\t<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00c9v\u00e9nement Sp\u00e9cial<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilm canadien<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tSharkwater Extinction<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tRob Stewart<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSandra Stewart, Brian Steward, Rob Stewart, Sandy Campbell, Karen Shaw<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSharkwater Productions\u200b<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tiff Docs<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilms canadiens<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tCarmine Street Guitars<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tRon Mann<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tRon Mann<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSphinx Productions<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tProsecuting Evil: The Extraordinary World of Ben Ferencz<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tBarry Avrich<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tBarry Avrich<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tMelbar Entertainment Group<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
\n\t\t\tWhat is Democracy<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tAstra Taylor<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tLea Marin<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tNational film Board of Canada<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Pr\u00e9sentation sp\u00e9ciale<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tFilms canadiens<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tAnthropocene<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tJennifer Baichwal, Nicholas de Pencier & Edward Burtynsky<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tJennifer Baichwal, Nicholas de Pencier & Edward Burtynsky<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tMercury Films<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tGiant Little Ones<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tKeith Behrman<\/span><\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tAllison Black<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tEuclid 431 Pictures<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tLa Chute de l'empire am\u00e9ricain<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tDenys Arcand<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tDenise Robert<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tCin\u00e9maginaire<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
\n\t\t\tThe Death and Life of John F. Donovan<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tXavier Dolan<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tXavier Dolan<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tLyla Films, Sons Of Manual, Warp Films<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
\n\t\t\tThe Grizzlies<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tLyla Films, Sons Of Manual, Warp Films<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tLyla Films, Sons Of Manual, Warp Films<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tNorthwood Entertainment, Puhitaq<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
\n\t\t\tThe Hummingbird Project<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tKim Nguyen<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tPierre Even, Viellevoye, Alain-Gilles (Belgique)<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tItem 7 (Canada) \/ Belga Films (Belgique)<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>
\n\t\t\tThrough Black Spruce<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tDon McKellar<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tTina Keeper, Robert Lantos, Barbara Samuels\u200b<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tSerendipity Point Films<\/span>\n\n\t\t\t<\/a>\n\t\t<\/td><\/tr>\n\t\t\t<\/tbody>\n\t\t<\/table>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Section Wavelengths<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/colgroup>\n\t\t\n\t\t\t\n\n\t\t\t\n\t\t\n\n\t\t
\n\t\t\t\t\tFilms canadiens<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tR\u00e9alisateur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tProducteur<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\n\t\t\t\t\tMaison de production<\/span>\n\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/th>\n\n\t\t\t\t\t\t<\/tr>\n\t\t<\/thead>
\n\t\t\tFausto<\/i><\/b><\/span>\n\n\t\t\t<\/a>\n\t\t<\/td>\n\t\t\tAndrea Bussman<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\tAndrea Bussman & Nicolas Pereda<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td>\n\t\t\t<\/span>\n\n\t\t\t<\/span>\n\t\t<\/td><\/tr>
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