{"id":89576,"date":"2024-05-09T10:41:16","date_gmt":"2024-05-09T14:41:16","guid":{"rendered":"https:\/\/rdvcanada.ca\/?p=89576"},"modified":"2024-05-13T13:17:37","modified_gmt":"2024-05-13T17:17:37","slug":"question-whats-100-minutes-divided-by-nine-shorts","status":"publish","type":"post","link":"https:\/\/rdvcanada.ca\/en\/spotlight\/question-whats-100-minutes-divided-by-nine-shorts\/","title":{"rendered":"Question: What\u2019s 100 minutes divided by nine shorts?"},"content":{"rendered":"\t\t
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Answer: Telefilm Canada\u2019s Not Short on Talent programme is headed back to Cannes with 11 exciting filmmakers for its 2024 iteration. <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Here\u2019s the breakdown:<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I was first transported by Catherine Boivin\u2019s<\/b> use of inventive angles and framing in 6 minutes\/km<\/i>, her short film which featured in the Not Short on Talent<\/a>\u00a0programme at Cannes one year ago.\u00a0Anotc ota ickwaparin akosiin<\/a>, her subsequent film, confirms her talents as a director of many precise timings and intentions. With a frame split directly down the middle, we see two domestic scenes: Boivin, on one half, doing chores like dishes and laundry; Boivin\u2019s daughter, on the other, playing with her toys and having fun. Atop these images, Boivin has an emotionally honest voiceover in which she addresses her mother; here, with mirrored actions unfolding on both sides of the screen, a remarkable short film is realized.<\/span><\/p>

From watching Grandmothers<\/i>, Millefiore Clarkes’<\/strong> short film that featured in the 2022<\/a> programme at Clermont-Ferrand, I got the sense that Clarkes had a sentimentality as a filmmaker that was curious, was thoughtful, and was possibly overwhelmed with some grander questions in life (these days, who isn\u2019t?). In An Impression of Everything<\/i><\/a>, her new experimental work, Clarkes summons these emotions and, impressively, assembles chaotic (at times kaleidoscopic) order from pieces of personal footage and assorted archival reels, distilling the doom-and-gloom busyness of today\u2019s frenzied world into a film with a title that\u2019s as apt as it is ambitious.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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You should take it.\u201d<\/em><\/p>

\u00a0<\/p>

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It really should be you.\u201d<\/em><\/p><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I\u2019ve been quoting Mashie Alam\u2019s<\/strong> Two of Hearts<\/em><\/a>\u00a0since viewing it. Richly photographed at the Cressy House in bucolic Prince Edward County, Ontario, this playful tug-of-war between two ridiculous siblings is the perfect excuse for Alam to play a flush hand of deadpan tableaus. It\u2019s half Zoolander <\/em>fashion shoot, half SNL sketch, all tongue-in-cheek fun as it builds to \u2014 pun very much intended \u2014 a cheesy reveal of delicious divvying.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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What\u2019s the wildest structure you\u2019ve ever seen on screen? For my money, it might be the solar furnace of Uzbekistan, a massive power facility and architectural marvel of open spaces and precise arrays. With so many panels aimed directly at our star, it\u2019s an ideal place to do a lot of reflection. In This World Does Not Fit Into My Eyes<\/i><\/a>, a black-and-white piece by directors Felix Kalmenson<\/strong> and Rouzbeh Akhbari<\/strong>, we spend time with Nasira, a caretaker of this building, who, in her youth, had a glorious career as a singer. In one key scene, we see Nasira basking in former fame as she sits before two mirrors leaning side-by-side; when Nasira moves between both, we\u2019re reminded of the many partitions a single life can contain.<\/span><\/p>

Pushed out the window of a vintage Toyota Tercel 4WD, in Ethan Godel\u2019s<\/strong> funny and bittersweet Anna\u2019s Hands<\/i><\/a>, is the idea that heading to a cottage with friends is sure to be a party. As three friends drive up an Ontario highway \u2014 hey, there\u2019s an ONroute! \u2014 there\u2019s a sprawling, freewheeling conversation delivered with refreshing verve to enjoy as these motormouths riff on Dostoevsky, Carver, and the myriad mysteries of romantic love, which, evidently, echo unsaid disconnections happening immediately within the car. What do we talk about when we talk about love? The virtues of combining McDonald\u2019s sandwiches, naturally!<\/span><\/p>

There\u2019s an eighth of something in Ernesto\u2019s Bag<\/i><\/a>, and in Isabelle Deluce<\/strong> and Giulia De Vita\u2019s<\/strong> wry and witty short, Ruth, a burnt-out employee at a wedding dress store, is about to learn exactly what. She\u2019s in a tricky spot, you see; Alice, her best friend, her sounding board for rants about the vapidity of the bridal industrial complex, is (surprise!) getting married to\u2026\u00a0 what\u2019s-his-name? Tim. Ruth, obviously, is super stoked for her friend, not the least bit interested in breaking the whole thing up. But after ranting to Ernesto, a fellow who works in a kitchen beside the bridal store, Ruth receives wisdom from his chill pro-wedding testimony and, well, the contents of his bag \u2014 all the magic she needs to say \u201cyes\u201d to the universe and be there for her friend.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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With\u00a0Jamais nulle part<\/a>,\u00a0<\/i>director Sophie Valcourt<\/strong> brings us back on the road \u2014 this time, for a nonfiction nostalgia trip towards Sept-\u00celes, Quebec. The highway isn\u2019t exactly Memory Lane, but the long stretches and persistent rush of trees flying by proves a lulling backdrop for a group of friends, Valcourt among them, to share candid thoughts about place, the meaning of \u201chome,\u201d and the quirks of lives split between two highly contrasted regions. By the time this warm and meditative short reaches the C\u00f4te-Nord, however, one thing is certain: the gap between where we\u2019re at and where we\u2019re meant to be is, as always, transcended through friendship.<\/span><\/p>

The winter woods aren’t as cold as the deepest reaches of outer space, but Jean-Bastien Niyigaruye\u2019s<\/strong> cool and poetic\u00a0Sirius\u00a0<\/i><\/a>gives the impression the cosmos is just over the horizon. Told in whispers and voiceover \u2014 and with an icy blue palette that chills and burns in equal parts \u2014 we see a man tell his wife that he must leave their cabin, but he will return; as he crunches over snow through the dark forest, constellations twinkling above, his story intensifies into the brightest star of our night sky.<\/span><\/p>

Su<\/b>bject: Joseph \u00c9douard Beaupr\u00e9. Height: 8 ft, 3 in. Weight: 375 lbs. Cause of death: pulmonary hemorrhage following tuberculosis.<\/span><\/span><\/i><\/p>

The real \u00c9douard,\u00a0<\/i>a circus performer\u00a0<\/i>whose extraordinary body was embalmed after his death in 1904, has had a number of posthumous acts. I mean, c\u2019mon, he was gawped at alive; in death, he\u2019s been dissected, displayed, and shipped around as a massive mummified curio. His latest immortalization, though, is in Alain Fournier\u2019s<\/strong>\u00a0G\u00e9ant Beaupr\u00e9<\/a><\/i>, a stop-motion animation with excellent prop and scene design that gives, with an offbeat sense of humour, Beaupr\u00e9\u2019s story the theatrical send-off it deserves.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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These nine films, playing in the Cannes Short Film Video Library as well as at a screening on May 20, are bold enough to reward anyone who divides their time from the features at the festival.<\/p>

\u00a0<\/p>

You can trust me. I did the math.<\/p>

Participants will attend the Short Film Corner 2024. For more information, contact: <\/strong>ann-marie.picard@telefilm.ca<\/strong><\/a>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JAKE HOWELL<\/strong>
<\/em><\/p>

Jake Howell is a Toronto-based writer and film programmer.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Answer: Telefilm Canada\u2019s Not Short on Talent programme is headed…<\/p>\n","protected":false},"author":150,"featured_media":89613,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-89576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spotlight","posts_festivals-cannes-2024"],"acf":[],"yoast_head":"\nQuestion: What\u2019s 100 minutes divided by nine shorts? - RDV Canada<\/title>\n<meta name=\"description\" content=\"Answer: Telefilm Canada\u2019s Not Short on Talent programme is headed back to Cannes with 11 exciting filmmakers for its 2024 iteration. Here\u2019s the breakdown:\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rdvcanada.ca\/en\/spotlight\/question-whats-100-minutes-divided-by-nine-shorts\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Question: What\u2019s 100 minutes divided by nine shorts? - RDV Canada\" \/>\n<meta property=\"og:description\" content=\"Answer: Telefilm Canada\u2019s Not Short on Talent programme is headed back to Cannes with 11 exciting filmmakers for its 2024 iteration. 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