{"id":57156,"date":"2022-01-27T11:23:27","date_gmt":"2022-01-27T16:23:27","guid":{"rendered":"https:\/\/rdvcanada.ca\/?p=57156"},"modified":"2022-01-27T11:45:06","modified_gmt":"2022-01-27T16:45:06","slug":"suburban-sunset-nancy-pettinicchios-falena-at-clermont-ferrand","status":"publish","type":"post","link":"https:\/\/rdvcanada.ca\/en\/events\/suburban-sunset-nancy-pettinicchios-falena-at-clermont-ferrand\/","title":{"rendered":"Suburban Sunset: Nancy Pettinicchio’s “Falena” at Clermont-Ferrand"},"content":{"rendered":"\t\t
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Falena<\/a><\/em>, the debut short film by Nancy Pettinicchio, manages to capture that curious \u2014 at times wistful \u2014 feeling of summers in your youth coming to a close. It follows Leila (Nah\u00e9ma Ricci), a young woman about to move away from her suburban hometown, leaving behind her closest friend Cassy (Chanel Mings). One afternoon, Leila stops at a yard sale held by Annette (Nathalie Gascon), an older woman who Leila finds a nude photograph of in the items for sale.<\/p>

This discovery leads to Leila exploring photography \u2014 and nude portraiture \u2014 by herself, and is the catalyst for Leila to spend more time with Annette before moving away, complicating things with Cassy.<\/p>

\u201cThe relationship between Leila and Cassy was the trickiest part of the film for me,\u201d says Pettinicchio. \u201cI wanted to explore the ambiguous type of intimacy in close relationships during early adulthood, especially amongst young women and queer folks. Leila and Cassy are best friends, but there\u2019s a certain level of romance that factors into a long-lasting friendship, in my experience: wanting to live new things together, to witness each other\u2019s growth, to be a part of every important step in each other\u2019s lives. I think my relationship with my best friend growing up was one of the strongest loves I will ever experience.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cAt some point, when you reach an age where you want to pursue new things \u2014 in Leila\u2019s case, moving out of the suburbs, away from her parents\u2019 home \u2014 your goals don\u2019t always align with those of your friends. And sometimes, this is one of the first instances of your paths splitting: it\u2019s an expected yet emotional part of growing up, and it feels in some ways like a breakup that you pretend is not really happening. There is a sense of abandonment on Cassy\u2019s end; she feels like she\u2019s not enough for Leila anymore. And, of course, Leila\u2019s infatuation with Annette just adds to Cassy\u2019s insecurity. Jealousy is certainly at play here, but whether it comes from a place of friendship or romance is unclear. I\u2019m not sure Cassy can even distinguish that for herself; I know that I sure couldn\u2019t make the distinction at that time in my life. I only really put my finger on how I was playing with this romantic ambiguity when I was directing on set. A few days after we wrapped the shoot, I came out as queer, and things suddenly made a lot more sense to me \u2014 both in terms of the characters in the film and my own identity.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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'Falena' director Nancy Pettinicchio<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I wanted to explore the ambiguous type of intimacy in close relationships during early adulthood, especially amongst young women and queer folks. <\/strong><\/p><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Falena<\/em>\u2019s setting of summertime in the suburbs recalls St\u00e9phane Lafleur\u2019s 2014 coming-of-age feature Tu dors Nicole<\/em>, which Pettinicchio cites as an influence (and a favourite film).<\/p>

\u201cTu dors Nicole<\/em> has this way of presenting summer in the suburbs in early adulthood as a time and place where you don\u2019t really know what to do with yourself,\u201d she says. \u201cYou have all of these ideas and ambitions for how things can go, but they never really go as planned\u2026 I wrote the first treatment for this film on the night I moved into my first apartment in Montreal in October 2017. I wanted to explore something personal, and I was right in the middle of experiencing this transition between my suburban summer and my newfound independence in the city. Moving out was a first step towards figuring out my own identity, and I had been eager to take that step for years.\u201d<\/p>

Leila spends these dwindling summer moments with Cassy, riding bikes, going to the carnival , and trying to play Nintendo 64. But her mind is clearly elsewhere, thinking of Annette, of what\u2019s next in her life, and of her own self-perception. Indeed, Falena <\/em>has a mirror motif of reflection, both literal and figurative.<\/p>

\u201cI wanted [Leila] to look at herself with curiosity rather than judgement,\u201d says Pettinicchio. \u201cWhen she starts to explore photography, and self-portraiture more specifically, she discovers this tool through which she can explore her identity. Leila sees herself through her own lens; she has agency over her own image, and she\u2019s playing with self-representation. And in a way, I\u2019m playing with self-representation. It\u2019s a clich\u00e9 in coming-of-age films for young women to dislike what they see in the mirror \u2014 I really didn\u2019t want that for Leila. When she finds the nude self-portrait of a young Annette at the yard sale, she doesn\u2019t see something sexual or scandalous. I see nudity as a way for Leila to come face to face with herself in the most intimate way possible, despite how intimidating that feels.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cThroughout the film, Leila reckons with everything she is leaving behind by moving away \u2014 her room, her neighbourhood, her best friend, and all of the rituals they\u2019ve created and practiced together for years,\u201d she adds. \u201cPhotography is her means of capturing a moment in time, and her means of capturing herself in that moment in time. Annette\u2019s photo serves as a reminder of the past, as a look at who Annette was when she was Leila\u2019s age\u2026 It inspires Leila to try and put her finger on who she is now and how a photo may represent that in the future. When she finally presses down on the shutter release and takes her self-portrait before leaving her bedroom on moving day, it\u2019s as if she can finally move forward from this chapter of her life, and begin a process of self-exploration that may lead her to soon capture a very different version of herself.\u201d<\/p>

When Leila does finally pack her car and say goodbye to Cassy, Pettinicchio leaves us with a closing shot that\u2019s quietly disarming: We see the back seat of Leila\u2019s car full of the things that are coming with her; in the rear window, as Leila drives forward, we see the life she\u2019s leaving behind.<\/p>

\u201cThe script initially included a final scene where Leila unpacks her car into her new apartment in the city and sits down on the front steps, taking in her new neighbourhood,\u201d says the director. \u201cEven though we shot this scene, it just didn\u2019t feel like it belonged in the film. In the end, I decided I didn\u2019t want us to be taken out of the suburban environment. The final shot, where we\u2019re looking out of the rear window of Leila\u2019s car, provides an opportunity to imagine endless possibilities for Leila\u2019s future outside of her hometown. I don\u2019t think it really matters where she\u2019s going: she just knows it\u2019s time to go.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Falena<\/a> is one of seven shorts in the Not Short on Talent programme<\/a> at Clermont-Ferrand 2022<\/a>. Pettinicchio\u2019s next project, a documentary podcast in post-production, features speakers sharing their relationships with their bodies \u2014 and how those relationships intersect with different parts of their identities \u2014 throughout shifts or moments of transition; she\u2019s also developing another fiction short that delves deeper into the theme(s) of close friendship and romance.<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JAKE HOWELL<\/strong>
<\/em><\/p>

Jake Howell is a Toronto-based writer and freelance film programmer.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Falena, the debut short film by Nancy Pettinicchio, manages to…<\/p>\n","protected":false},"author":1203,"featured_media":57167,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","footnotes":""},"categories":[16,5],"tags":[],"class_list":["post-57156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-spotlight","posts_festivals-clermont-ferrand-2022"],"acf":[],"yoast_head":"\nSuburban Sunset: Nancy Pettinicchio's "Falena" at Clermont-Ferrand - RDV Canada<\/title>\n<meta name=\"description\" content=\"Falena, the debut short film by Nancy Pettinicchio, manages to capture that curious \u2014 at times wistful \u2014 feeling of summers in your youth coming to a\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rdvcanada.ca\/en\/events\/suburban-sunset-nancy-pettinicchios-falena-at-clermont-ferrand\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Suburban Sunset: Nancy Pettinicchio's "Falena" at Clermont-Ferrand - 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