{"id":56315,"date":"2022-01-10T10:42:17","date_gmt":"2022-01-10T15:42:17","guid":{"rendered":"https:\/\/rdvcanada.ca\/?p=56315"},"modified":"2022-01-12T10:00:24","modified_gmt":"2022-01-12T15:00:24","slug":"moving-forward-looking-back-not-short-on-talent-at-clermont-ferrand-2022","status":"publish","type":"post","link":"https:\/\/rdvcanada.ca\/en\/spotlight\/moving-forward-looking-back-not-short-on-talent-at-clermont-ferrand-2022\/","title":{"rendered":"Moving Forward, Looking Back: Not Short on Talent at Clermont-Ferrand 2022"},"content":{"rendered":"\t\t
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In this <\/span>programme<\/span> of seven Canadian shorts, filmmakers reflect on true events, explore the memories of loved ones past and present, and consider how histories inform the future.<\/span><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Maybe it\u2019s normal \u2014 perhaps it\u2019s partly due to spending roughly two years in a pandemic \u2014 but lately the passage of time has felt bizarre. They say it flies when you\u2019re having fun, but lockdown certainly wasn\u2019t \u2014 so why does the world feel like it\u2019s moving faster and faster than ever before?<\/strong><\/span>\u00a0<\/strong><\/p>

We all have ways of dealing with this acceleration. In isolation, movies are a great option: We can expand the four walls around us; we can go somewhere different. We can open a time capsule and exist in it, slowing things down for a chance to think on where we\u2019ve been.\u00a0<\/span>\u00a0<\/span><\/p>

Thinking back on where we\u2019ve been \u2014 the past, in other words \u2014 was a common theme in many of the submissions of this year\u2019s Not Short on Talent programme at Clermont-Ferrand 2022.\u00a0\u00a0<\/strong><\/p>

But that\u2019s not to say these films \u2014 and these filmmakers \u2014 are dwelling. Processing is not dwelling; reflection isn\u2019t either. Rather, when we consider the past, it can inform what comes next.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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From left to right, Liz Cairns, Marie-No\u00eblle Moreau Robidas, and Millefiore Clarkes<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In <\/span>The Horses<\/span><\/i><\/a>, the first entry in the Not Short on Talent programme, a young woman circuits the local community of barns to try and find a partner for her gelding after the SPCA\u2019s euthanization of her two mares, receiving the cold shoulder from owners as she does. Based on real events, director Liz Cairns<\/strong> renders a difficult moment in her family\u2019s history onto gorgeous 16mm film.<\/span>\u00a0<\/span><\/p>

That\u2019s followed by <\/span>Triangle of Darkness<\/span><\/i><\/a>, an animation by Marie-No\u00eblle Moreau Robidas<\/strong> depicting the infamous ice storm of January 1998, which saw, across eastern Ontario, southern Quebec, and parts of the United States, massive infrastructural damage and widespread power outages. One area \u2014 so named the \u201cblack triangle\u201d \u2014 was left, in the bitter cold, without electricity for weeks; in this short, a moving story of humanity keeps things warm.<\/span>\u00a0<\/span><\/p>

Millefiore Clarkes\u2019<\/strong> <\/span>Grandmothers<\/span><\/i><\/a>, a beautiful short documentary<\/span> with touches of dance and animation, opens with a question from its filmmaker: \u201cHow do I step forward into the rest of my life with grace or with enthusiasm? What\u2019s waiting there \u2014 where am I going?\u201d\u00a0<\/span>\u00a0<\/span><\/p>

\u201cOkay, where have you been?” replies one of the film\u2019s three subjects, each a woman with reflections on hardship, care, faith, and love. It\u2019s moments like these that imbue this short with uncommon wisdom.<\/span>\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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No Ghosts in the Morgue<\/span><\/i><\/a>,<\/span> meanwhile, is an engrossing dramatic short by Marilyn Cooke<\/strong> that follows Keity, a young medical student who is forced to take an internship with a pathologist \u2014 a doctor who, coincidentally, trained under Myriam, Keity\u2019s late grandmother. As her time in the morgue continues, Keity dreams of her grandmother, who may just grant her the spiritual strength Keity needs to succeed in her career.<\/span>\u00a0<\/span><\/p>

There are no ghosts in <\/span>Dear Mr. Dudley<\/span><\/i><\/a>, an epistolary film by Morgan Rhys Tams<\/strong>, but it certainly feels like there are. His documentary is narrated by Tams and his biological father, a man the director had never met; they read their letters to each other atop Tams\u2019 Super8 footage of his cross-Canada trek to meet for the first time. As Tams drives east, grainy, often ethereal images of our country\u2019s many horizons become poignant backdrops for this emotional quest.<\/span>\u00a0<\/span><\/p>

Mark Bethune\u2019s <\/strong>While I\u2019m Here<\/span><\/i><\/a>, <\/span><\/i>the next short in the programme, shares similar themes of father-son reconnection, except Bethune\u2019s documentary-comedy hybrid is the result of creative cabin fever \u2014 the same cabin he inherited from his late father. This property has seen a lot of memories \u2014 many of them involving his dad \u2014 and Bethune lets his mind and ambitions wander as he pays homage to them.<\/span>\u00a0<\/span><\/p>

Finally, Nancy Pettinicchio\u2019s <\/strong><\/span>Falena<\/span><\/i><\/a> tells the story of Leila, a young woman on the cusp of moving away from her suburban neighbourhood. On a perfect summer afternoon \u2014 one of her last, maybe, in this place, and at this time in her life \u2014 Leila stops at a yard sale, where she pockets a nude photograph taken many decades ago. Annette, the subject in the photograph, is the same woman holding the yard sale, and their friendship ignites in Leila a curiosity in self-portraiture that doubles as an exploration of her identity.<\/span>\u00a0<\/span><\/p>

The closing shot in <\/span>Falena<\/span><\/i><\/a> \u2014 indeed, the closing shot of this Not Short on Talent programme \u2014 is a silent, extended look out the back of Leila\u2019s car as she drives ahead. Her destination isn\u2019t known to us; that\u2019s never mentioned. All we know is that as she begins her new chapter \u2014 as she moves forward in life \u2014 she\u2019ll make sure she knows where she\u2019s been.<\/span>\u00a0<\/span><\/p>

She\u2019ll make sure to look back.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Not Short on Talent is powered by Telefilm Canada in partnership with Ontario Creates. This <\/span>programme<\/span> screens at the Clermont-Ferrand International <\/span>Short Film Market, February 2, 2 p.m. CEST (online and onsite). The <\/span>programme<\/span> aims to increase the visibility of new Canadian short films, and to promote talent to professionals from international markets, including buyers and festival programmers. <\/span><\/span>For more information contact: <\/span><\/span>clemence.bradley@telefilm.ca<\/span><\/span><\/a> \u00a0<\/span><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JAKE HOWELL<\/strong>
<\/em><\/p>

Jake Howell is a Toronto-based writer and freelance film programmer.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

In this programme of seven Canadian shorts, filmmakers reflect on…<\/p>\n","protected":false},"author":1203,"featured_media":56528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","footnotes":""},"categories":[16,5],"tags":[],"class_list":["post-56315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-spotlight","posts_festivals-clermont-ferrand-2022"],"acf":[],"yoast_head":"\nMoving Forward, Looking Back: Not Short on Talent at Clermont-Ferrand 2022 - RDV Canada<\/title>\n<meta name=\"description\" content=\"In this programme of seven Canadian shorts, filmmakers reflect on true events, explore the memories of loved ones past and present, and consider how\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rdvcanada.ca\/en\/spotlight\/moving-forward-looking-back-not-short-on-talent-at-clermont-ferrand-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moving Forward, Looking Back: Not Short on Talent at Clermont-Ferrand 2022 - 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